All Jean Smith’s $100 USD portrait paintings from the beginning of the project (January 7, 2016) to March 14, 2017. Music by Mecca Normal.
Currently Available: Slide Show
Jean Smith’s $100 USD currently available portrait paintings from the beginning of the project (January 7, 2016) to March 14, 2017. Music by Mecca Normal.
Currently Available: Slide Show
“No Hat #138 B aka Gloria Steinem, CIA” (acrylic on canvas board 11 x 14″) January 21, 2017 (not posted until today, February 25, 2017). SOLD
I referred to this painting in a post earlier today, in which I was writing about “No Hat #133”. I mentioned that one of the big skills I possess (in painting) is knowing when to stop and both #133 and #138 B are excellent examples of that.
#138 B (at top) was one of the rare times that I set a painting aside because it felt finished well in advance of what I was intending to do, but I wasn’t entirely sure. With #133 there was no question that it was totally finished. In this case of #138 B, I still wanted to think about it. So it’s been sitting here since mid January and I haven’t had any inclination to add anything to it. Selling “No Hat #133” earlier today (to a radio journalist in Stockholm) has inspired me to call “No Hat #138 B aka Gloria Steinem, CIA” finished as well.
I started painting from a screengrab of Gloria Steinem speaking at the Women’s March on Washington on January 21, but… I stopped here because, as I say, I liked it at this point. This is a good example of how I use photos of actual people to whatever degree I need them as a starting point.
After I set the painting aside I ended up doing some research on Steinem, just to refresh my memory on her history. I’m pretty sure I never knew she worked for the CIA. This kinda killed my interest in doing a portrait of her, not that it would necessarily be representattional to the degree that she’d be recognizable, but the CIA connection fortified my interest in halting my involvement with her.
Additionally, a novel I wrote a few years back (The Black Dot Museum of Political Art) has a segment in it about the CIA’s involvement in the abstract art movement in NYC in the 1950s and 60s, so this issue of cultural icons being willing and/or unwittingly participants in CIA activities was unexpectedly back in front of me.
So, while the is painting (#138 B) is at face value a solid composition made up of fairly similar tones with the suggestion of what might have followed (the shape of the head) for those that know my work, the backstory provides intellectual content that can be factored in.
Earlier today “No Hat #133” sold to a radio journalist in Stockholm, Sweden who found this website and fell for this painting!
I’m really excited about another painting going to Europe! Also, this is a great painting. Am I even allowed to say that? I wasn’t sure it would sell (for obvious reasons) – so, it’s a total thrill that it has, within the context of the overall project, been selected.
One of the big skills I possess (in painting) is knowing when to stop. This painting is an excellent example of that. I’m inspired to post a similar one with even fewer features that I painted a month ago. It’s one of the only ones that I’ve stopped and put aside to consider. I haven’t found a reason to add anything else to it, so I’m going to call it finished. Or maybe I’ll call it Swedished in honour of the radio journalist in Stockholm.
I paint start to finish, in one event. I think this comes from my upbringing around watercolour painters – my dad mainly. With watercolour, you keep moving forward after committing paint to paper. You don’t keep messing around with the paint once it’s down. I don’t follow that part of the process; I continue working with the paint for up to 4 hours.
It’s interesting to me when paintings sell from pages other than on my FaceBook page, because that group is part of the project. They see the work first – sequentially, as it is created. Each new painting falls into an ever-evolving context in progress that is being created for over a year. Within this linear context, I’ve recently demonstrated that the images can be used for additional purposes long after they’ve been posted for sale (or sold).
It’s interesting to me that a painting that is now hanging in someone’s home can be on the internet saying, “No one is illegal.” Winnipeg artist, art critic and educator Steven Leyden Cochrane documented this over on Tumblr when he collected all the “No one is illegal” images in one post. Actually, for my recent project, I photographed paintings that have yet to sell, but, in theory, I could have used jpegs of work that has sold.
FaceBook reactions (likes, shares and sales) accumulate in the time immediately after posting paintings. I’ll be saying more soon about how using FB as a studio component and a venue affects me and the work.
It’s exciting to have had two recent sales in Europe. Shipping to most places in Europe is reasonable. I’ve sent paintings to France, Austria and the UK without tracking for $15 USD. Tracking seems to run an additional $20. In the 145 paintings I’ve sold, I’ve never had to use tracking.
Music by Mecca Normal (featuring Rat Bastard on guitar in the first song).
“Since 2000, I’ve spent most of my time writing novels while working part time. I was fortunate to have several businesses I worked at close and so, I was eligible for unemployment insurance. That was perfect. I got a lot of writing done. I have a literary agent working on selling one of my novels to publishers and I’ve just started another one. In April, I quit my job to paint full time.”
Razorcake is the first and only official non-profit punk music magazine in America primarily dedicated to supporting independent music culture.
20 Questions: Calvin Johnson of K Records, Verbicide Magazine, October, 2016
Verbicide: What song really hits you in the feels and makes you cry?
Calvin: “Malachi” by Mecca Normal.
One painting in the series “Discovering Utopia” (cover art for the Mecca Normal 7″) is still available.
The 7″ cover was included in an exhibit about Malachi Ritscher in the 2014 Whitney Biennial.
“Discovering Utopia #3″ by Jean Smith (12 x 16” acrylic on canvas) 2010. SOLD
“Discovering Utopia #4″ by Jean Smith (12 x 16” acrylic on canvas) 2010. SOLD
“Discovering Utopia #5″ by Jean Smith (12 x 16” acrylic on canvas) 2010. SOLD
“Discovering Utopia #6″ by Jean Smith (12 x 16” acrylic on canvas) 2010. $250 USD plus shipping.